| Transfer of training between music and speech: common processing, attention, and memory M Besson, J Chobert, C Marie Frontiers in psychology 2, 94, 2011 | 465 | 2011 |
| Musicians and the metric structure of words C Marie, C Magne, M Besson Journal of cognitive neuroscience 23 (2), 294-305, 2011 | 232 | 2011 |
| Influence of musical expertise on segmental and tonal processing in Mandarin Chinese C Marie, F Delogu, G Lampis, MO Belardinelli, M Besson Journal of cognitive neuroscience 23 (10), 2701-2715, 2011 | 202 | 2011 |
| Enhanced passive and active processing of syllables in musician children J Chobert, C Marie, C François, D Schön, M Besson Journal of cognitive neuroscience 23 (12), 3874-3887, 2011 | 144 | 2011 |
| Superior time perception for lower musical pitch explains why bass-ranged instruments lay down musical rhythms MJ Hove, C Marie, IC Bruce, LJ Trainor Proceedings of the National Academy of Sciences 111 (28), 10383-10388, 2014 | 117 | 2014 |
| Becoming musically enculturated: effects of music classes for infants on brain and behavior LJ Trainor, C Marie, D Gerry, E Whiskin, A Unrau Annals of the New York Academy of Sciences 1252 (1), 129-138, 2012 | 117 | 2012 |
| Musical and linguistic expertise influence pre-attentive and attentive processing of non-speech sounds C Marie, T Kujala, M Besson Cortex 48 (4), 447-457, 2012 | 112 | 2012 |
| Beat-induced fluctuations in auditory cortical beta-band activity: using EEG to measure age-related changes LK Cirelli, D Bosnyak, FC Manning, C Spinelli, C Marie, T Fujioka, ... Frontiers in psychology 5, 99407, 2014 | 76 | 2014 |
| Development of simultaneous pitch encoding: infants show a high voice superiority effect C Marie, LJ Trainor Cerebral Cortex 23 (3), 660-669, 2013 | 63 | 2013 |
| Explaining the high voice superiority effect in polyphonic music: Evidence from cortical evoked potentials and peripheral auditory models LJ Trainor, C Marie, IC Bruce, GM Bidelman Hearing Research 308, 60-70, 2014 | 56 | 2014 |
| Sound categorization and conceptual priming for nonlinguistic and linguistic sounds M Aramaki, C Marie, R Kronland-Martinet, S Ystad, M Besson Journal of Cognitive Neuroscience 22 (11), 2555-2569, 2010 | 40 | 2010 |
| Language and music in the musician brain M Besson, J Chobert, C Marie Language and Linguistics Compass 5 (9), 617-634, 2011 | 35 | 2011 |
| Temporal semiotic units as minimal meaningful units in music? An electrophysiological approach A Frey, C Marie, L Prod'Homme, M Timsit-Berthier, D Schön, M Besson Music Perception 26 (3), 247-256, 2009 | 26 | 2009 |
| The high-voice superiority effect in polyphonic music is influenced by experience: A comparison of musicians who play soprano-range compared with bass-range instruments. C Marie, T Fujioka, L Herrington, LJ Trainor Psychomusicology: Music, Mind, and Brain 22 (2), 97, 2012 | 24 | 2012 |
| Early development of polyphonic sound encoding and the high voice superiority effect C Marie, LJ Trainor Neuropsychologia 57, 50-58, 2014 | 23 | 2014 |
| Influence of musical expertise on the perception of pitch, duration and intensity variations in speech and harmonic sounds M Besson, J Chobert, C François, C Astésano, C Marie Neuropsycholinguistic perspectives on language cognition, 88-102, 2015 | 6 | 2015 |
| Electrophysiological studies of prosody M Besson, C Marie, C Astésano, C Magne Brain Talk, 123, 2009 | 1 | 2009 |
| Using EEG with children and adults to measure oscillatory activity in response to isochronous auditory sequences L Cirelli, A Ghahremani, FC Manning, C Spinelli, C Marie, D Bosnyak, ... Conference Abstract: 14th Rhythm Production and Perception Workshop …, 2013 | | 2013 |
| Using EEG with children and adults to measure oscillatory activity in response to isochronous auditory sequences C Laura, G Ayda, M Fiona, S Christina, C Marie, B Dan, F Takako, ... 14th Rhythm Production and Perception Workshop Birmingham 11th - 13th …, 2013 | | 2013 |
| Influence de l'expertise musicale et linguistique sur le traitement des sons linguistiques et non-linguistiques C Marie Aix-Marseille 2, 2010 | | 2010 |
