| Agility and Playfulness: Technology and skill in the performance ecosystem O Green Organised Sound 16 (2), 134-144, 2011 | 33 | 2011 |
| NIME, Musicality and Practice-led Methods. O Green NIME, 1-6, 2014 | 22 | 2014 |
| Adaptive Mapping of Sound Collections for Data-driven Musical Interfaces. G Roma, O Green, PA Tremblay NIME, 313-318, 2019 | 18 | 2019 |
| From collections to corpora: Exploring sounds through fluid decomposition PA Tremblay, O Green, G Roma, A Harker International Computer Music Conference and New York City Electroacoustic …, 2019 | 17 | 2019 |
| User serviceable parts: Practice, technology, sociality and method in live electronic musicking O Green City University London, 2013 | 16 | 2013 |
| User serviceable parts: Practice, technology, sociality and method in live electronic musicking O Green City University London, 2013 | 16 | 2013 |
| Enabling programmatic data mining as musicking: the fluid corpus manipulation toolkit PA Tremblay, G Roma, O Green Computer Music Journal 45 (2), 9-23, 2021 | 15 | 2021 |
| All the noises: Hijacking listening machines for performative research J Bowers, O Green New Interfaces For Musical Expression, 114-119, 2018 | 13 | 2018 |
| On wayfaring in social machines D Murray-Rust, S Tarte, M Hartswood, O Green Proceedings of the 24th international conference on world wide web, 1143-1148, 2015 | 13 | 2015 |
| The situation of practice-led research around NIME, and two methodological suggestions for improved communication O Green Leonardo 49 (1), 78-79, 2016 | 10 | 2016 |
| Audible Ecosystemics as Artefactual Assemblages: Thoughts on Making and Knowing Prompted by Practical Investigation of Di Scipio's Work O Green Contemporary Music Review 33 (1), 59-70, 2014 | 10 | 2014 |
| Time scale modification of audio using non-negative matrix factorization G Roma, O Green, PA Tremblay Proceedings of the International Conference on Digital Audio Effects, 213-218, 2019 | 9 | 2019 |
| Improving single-network single-channel separation of musical audio with convolutional layers G Roma, O Green, PA Tremblay Latent Variable Analysis and Signal Separation: 14th International …, 2018 | 9 | 2018 |
| Interdisciplinary Research as Musical Experimentation: A case study in musicianly approaches to sound corpora O Green, PA Tremblay, G Roma Electroacoustic Music Studies Network Conference: Electroacoustic Music: Is …, 2019 | 7 | 2019 |
| Pondering Value in the Performance Ecosystem O Green Temps réel, improvisation et interactivité en électroacoustique/live …, 2008 | 7 | 2008 |
| Digging it: Programmatic data mining as musicking PA Tremblay, G Roma, O Green International Computer Music Conference 2021, 295-300, 2021 | 6 | 2021 |
| Distributed Agency in Performance P Stapleton, S Waters, N Ward, O Green Proceedings of the International Conference on Live Interfaces (ICLI2016 …, 2016 | 6 | 2016 |
| More than ‘just a hammer’: critical techniques in electroacoustic practice O Green Sound As Art, Blurring of the Boundaries, University of Aberdeen, 2006 | 6 | 2006 |
| A general framework for visualization of sound collections in musical interfaces G Roma, A Xambó, O Green, PA Tremblay Applied Sciences 11 (24), 11926, 2021 | 5 | 2021 |
| Fluid corpus manipulation toolbox PA Tremblay, O Green, G Roma, J Bradbury, T Moore, J Hart, A Harker | 4 | 2022 |
