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Antonio Rodà
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Computational Creativity and Music Generation Systems: an Introduction to the State of the Art
F Carnovalini, A Rodà
Frontiers in Artificial Intelligence 3, 14, 2020
1642020
Modeling and control of expressiveness in music performance
S Canazza, G De Poli, C Drioli, A Roda, A Vidolin
Proceedings of the IEEE 92 (4), 686-701, 2004
1062004
Note‐by‐note analysis of the influence of expressive intentions and musical structure in violin performance*
G De Poli, A Rodà, A Vidolin
Journal of New Music Research 27 (3), 293-321, 1998
1051998
On the role of auditory feedback in robot-assisted movement training after stroke: review of the literature
G Rosati, A Rodà, F Avanzini, S Masiero
Computational intelligence and neuroscience 2013, 11, 2013
952013
An abstract control space for communication of sensory expressive intentions in music performance
S Canazza, G Poli, A Rodà, A Vidolin
Journal of New Music Research 32 (3), 281-294, 2003
832003
Audio morphing different expressive intentions for multimedia systems
S Canazza, G De Poli, C Drioli, A Rodà, A Vidolin
Ieee Multimedia 7 (3), 79-83, 2000
742000
Clustering affective qualities of classical music: beyond the valence-arousal plane
A Roda, S Canazza, G De Poli
IEEE Transactions on Affective Computing 5 (4), 364-376, 2014
552014
Communicating expressive intentions with a single piano note
FB Baraldi, GD Poli, A Rodà
Journal of New Music Research 35 (3), 197-210, 2006
462006
Archaeology and virtual acoustics-a pan flute from ancient Egypt
F Avanzini, S Canazza, G De Poli, C Fantozzi, N Pretto, A Roda, I Angelini, ...
Proceedings of the 12th International Conference on Sound and Music …, 2015
422015
Symbolic Music Similarity through a Graph-Based Representation
F Simonetta, F Carnovalini, N Orio, A Rodà
Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion, 26, 2018
412018
A Measure of Melodic Similarity based on a Graph Representation of the Music Structure.
N Orio, A Rodà
ISMIR, 543-548, 2009
402009
Analysis and synthesis of expressive intention in a clarinet performance
S Canazza, G De Poli, A Roda, A Vidolin
Proceedings of the 1997 International Computer Music Conference, 113-120, 1997
40*1997
Algorithms can Mimic Human Piano Performance: The Deep Blues of Music
E Schubert, S Canazza, G De Poli, A Rodà
Journal of New Music Research 46 (2), 175-186, 2017
352017
Playing to play: a piano-based user interface for music education video-games
E Micheloni, M Tramarin, A Rodà, F Chiaravalli
Multimedia Tools and Applications 78 (10), 13713-13730, 2019
312019
Physical movement and musical gestures: a multilevel mapping strategy
D Fenza, L Mion, S Canazza, A Roda
Proceedings of Sound and Music Computing Conference, Salerno, 2005
302005
Inclusive sound and music serious games in a large‐scale responsive environment
M Mandanici, F Altieri, A Rodà, S Canazza
British Journal of Educational Technology 49 (4), 620-635, 2018
282018
Entertaining Listening by means of the Stanza Logo-Motoria, an Interactive Multimodal Environment
S Zanolla, S Canazza, A Rodá, A Camurri, G Volpe
Entertainment Computing, 2013
282013
A multilayered approach to automatic music generation and expressive performance
F Carnovalini, A Rodà
2019 International Workshop on Multilayer Music Representation and …, 2019
272019
CaRo 2.0: an interactive system for expressive music rendering
S Canazza, GD Poli, A Rodà
Advances in Human-Computer Interaction 2015, 2, 2015
272015
Is Vivaldi smooth and takete? Non-verbal sensory scales for describing music qualities
M Murari, A Rodà, S Canazza, G De Poli, O Da Pos
Journal of New Music Research 44 (4), 359-372, 2015
252015
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