| Authorship and film DA Gerstner, J Staiger Routledge, 2013 | 189 | 2013 |
| The practices of authorship DA Gerstner Authorship and Film, 3-25, 2013 | 68 | 2013 |
| Routledge international encyclopedia of queer culture DA Gerstner Routledge, 2006 | 65 | 2006 |
| Manly Arts: Masculinity and Nation in Early American Cinema DA Gerstner Duke University Press, 2006 | 50 | 2006 |
| City that never sleeps: New York and the filmic imagination M Pomerance Rutgers University Press, 2007 | 41 | 2007 |
| Queer Pollen: White Seduction, Black Male Homosexuality, and the Cinematic DA Gerstner University of Illinois Press, 2011 | 40 | 2011 |
| Media authorship C Chris, DA Gerstner Routledge, 2013 | 31 | 2013 |
| Authorship and film J Staiger, DA Gerstner Routledge, 2003 | 23 | 2003 |
| The Production and Display of the Closet: Making Minnelli's Tea and Sympathy D Gerstner Film Quarterly (ARCHIVE) 50 (3), 13, 1997 | 16 | 1997 |
| The boys in the band: Flashpoints of cinema, history, and queer politics DA Gerstner, A Villarejo, J Wlodarz, J Wilson, S Vider, M Tinkcom, ... Wayne State University Press, 2016 | 13 | 2016 |
| Christophe Honoré: a critical introduction DA Gerstner, J Nahmias Wayne State University Press, 2015 | 12 | 2015 |
| Dancer from the dance: Gene Kelly, television, and the beauty of movement. DA Gerstner Velvet Light Trap, 48-67, 2002 | 12 | 2002 |
| Janet Staiger, eds. 2003 DA Gerstner Authorship and Film, 0 | 12 | |
| Unsinkable Masculinity: The Artist and the Work of Art in James Cameron's" Titanic" D Gerstner Cultural Critique, 1-22, 2002 | 8 | 2002 |
| Janet Staiger, eds. 2003. Authorship and Film DA Gerstner New York: Routledge, 0 | 7 | |
| De Profundis: A Love Letter from the Inside Man DA Gerstner The Spike Lee Reader, 243-53, 2008 | 6 | 2008 |
| Christophe Honoré’s Les Chansons d’amour and the Musical’s Queer-abilities DA Gerstner The Sound of Musicals, 188-199, 2010 | 5 | 2010 |
| Queer Modernism: The Cinematic Aesthetic of Vincente Minnelli DA Gerstner Vincente Minnelli: The Art of Entertainment. Ed. Joe McElhaney. Detroit …, 2009 | 5 | 2009 |
| Never Yielding Entirely Into Art: Performance and Self-Obsession in Takeshi Kitano’s Hana-Bi D Edwards Senses of Cinema 10, 2000 | 5 | 2000 |
| Queer Angles of History Take It and Leave It from Behind DA Gerstner Stanford Humanities Review: Inside the Film Archive: Practice, Theory, Canon …, 1999 | 5 | 1999 |
