Phonaesthemes in morphological theory N Kwon, ER Round Morphology 25 (1), 1-27, 2015 | 57 | 2015 |
Iconicity correlated with vowel harmony in Korean ideophones N Kwon Laboratory Phonology: Journal of the Association for Laboratory Phonology 9 (1), 2018 | 32 | 2018 |
Empirically observed iconicity levels of English phonaesthemes N Kwon Public Journal of Semiotics 7 (2), 73-93, 2017 | 24 | 2017 |
Semantic Associations Dominate Over Perceptual Associations in Vowel–Size Iconicity H Hoshi, N Kwon, K Akita, J Auracher i-Perception 10 (4), 2041669519861981, 2019 | 22 | 2019 |
The natural motivation of sound symbolism N Kwon | 20 | 2015 |
Total reduplication in Japanese ideophones: An exercise in localized canonical typology N Kwon Glossa: a journal of general linguistics 2 (1), 2017 | 16 | 2017 |
Cross-linguistic variation in phonaesthemic canonicity, with special reference to Korean and English N Kwon Ideophones, Mimetics and Expressives 16, 77, 2019 | 6 | 2019 |
Experimental evidence for the productivity of total reduplication in Japanese ideophones and ordinary vocabulary N Kwon, S Yu Language Sciences 66, 166-182, 2018 | 6 | 2018 |
On the ordering of elements in ideophonic echo-words versus prosaic dvandva compounds, with special reference to Korean and Japanese N Kwon, K Masuda Journal of East Asian Linguistics 28 (1), 29-53, 2019 | 4 | 2019 |
Acoustic observation for English speakers perception of a three-way laryngeal contrast of Korean stops N Kwon University of Melbourne, 2014 | 3 | 2014 |
Voice morphing and the manipulation of intra-speaker and cross-speaker phonetic variation to create foreign accent continua: A perceptual study J Ingram, H Mixdorff, N Kwon International Workshop on Speech and Language Technology in Education, 2009 | 3 | 2009 |
Iconicity in Korean Consonantal Symbolism N Kwon The Australasian Speech Science and Technology Association Incorporated, 2014 | 1 | 2014 |
The relationship between iconicity and systematicity in Korean ideophones N Kwon Operationalizing Iconicity 17, 21, 2020 | | 2020 |