Andrew McPherson

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Fabio MorrealeSenior Lecturer, University of AucklandVerified email at auckland.ac.nz
Robert H JackBelaVerified email at qmul.ac.uk
Youngmoo KimProfessor of Electrical and Computer Engineering, Drexel UniversityVerified email at drexel.edu
Victor ZappiNortheastern UniversityVerified email at northeastern.edu
Giulio MoroPhD researcher, Queen Mary University of LondonVerified email at qmul.ac.uk
S. M. Astrid BinAbleton AG, DEVerified email at ableton.com
Jacob HarrisonQueen Mary University of LondonVerified email at qmul.ac.uk
Tony StockmanQueen Mary University of LondonVerified email at qmul.ac.uk
Laurel S. PardueAbleton AGVerified email at ableton.com
Prof. Nick Bryan-KinnsQueen Mary University of LondonVerified email at acm.org
Jack ArmitageIntelligent Instruments Lab, Iceland University of the ArtsVerified email at lhi.is
Giacomo LepriQueen Mary University of LondonVerified email at qmul.ac.uk
Christian HeinrichsQueen Mary University of LondonVerified email at qmul.ac.uk
steve benfordThe University of NottinghamVerified email at cs.nott.ac.uk
Marcelo M. WanderleyProfessor, Music Technology - McGill UniversityVerified email at mcgill.ca
Alan ChamberlainSenior Fellow - University of Nottingham, Computer ScienceVerified email at nottingham.ac.uk
Luca TurchetAssociate Professor, Dept. of Information Engineering and Computer Science, University of TrentoVerified email at unitn.it
Mathieu BarthetSenior Lecturer in Digital Media, Queen Mary University of LondonVerified email at qmul.ac.uk
Christopher HarteMelodient LimitedVerified email at melodient.com
Paul StapletonProfessor of Music, Sonic Arts Research Centre, Queen's University BelfastVerified email at qub.ac.uk

Andrew McPherson

Professor of Musical Interaction, Queen Mary University of London

Verified email at qmul.ac.uk - Homepage

Augmented Instruments Sound and Music Computing New Interfaces for Musical Expression NIME


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An environment for submillisecond-latency audio and sensor processing on BeagleBone Black A McPherson, V Zappi Audio Engineering Society Convention 138, 2015	143	2015
Action-sound latency: Are our tools fast enough? AP McPherson, RH Jack, G Moro New Interfaces for Musical Expression, 2016	79	2016
The magnetic resonator piano: Electronic augmentation of an acoustic grand piano A McPherson Journal of New Music Research 39 (3), 189-202, 2010	78	2010
Dimensionality and Appropriation in Digital Musical Instrument Design V Zappi, AP McPherson Proc. NIME, 2014	71	2014
Design for Longevity: Ongoing Use of Instruments from NIME 2010-14 F Morreale, AP McPherson New Interfaces for Musical Expression, 2017	63	2017
Audio effects: theory, implementation and application JD Reiss, A McPherson CRC Press, 2014	61	2014
Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position Sensing. AP McPherson, YE Kim NIME, 217-222, 2010	59	2010
TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard A McPherson Proc. NIME, 2012	53	2012
Building a maker community around an open hardware platform F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017	50	2017
The Problem of the Second Performer: Building a Community Around an Augmented Piano A McPherson, Y Kim Computer Music Journal 36 (4), 10-27, 2012	50	2012
Making high-performance embedded instruments with Bela and Pure Data G Moro, A Bin, RH Jack, C Heinrichs, AP McPherson University of Sussex, 2016	43	2016
Smart instruments: Towards an ecosystem of interoperable devices connecting performers and audiences L Turchet, A McPherson, C Fischione Proceedings of the Sound and Music Computing Conference, 498-505, 2016	40	2016
NIME Identity from the Performer’s Perspective F Morreale, AP McPherson, MM Wanderley NIME, 2018	36	2018
A low-cost real-time tracking system for violin LS Pardue, C Harte, AP McPherson Journal of New Music Research 44 (4), 305-323, 2015	34	2015
Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument RH Jack, T Stockman, A McPherson Proceedings of the audio mostly 2016, 116-123, 2016	33	2016
Design and use of a hackable digital instrument V Zappi, A McPherson	33	2014
Designing for exploratory play with a hackable digital musical instrument AP McPherson, A Chamberlain, A Hazzard, S McGrath, S Benford Proceedings of the 2016 ACM Conference on Designing Interactive Systems …, 2016	32	2016
Multidimensional gesture sensing at the piano keyboard AP McPherson, YE Kim Proceedings of the SIGCHI conference on human factors in computing systems …, 2011	31	2011
Musical instruments for novices: Comparing NIME, HCI and crowdfunding approaches A McPherson, F Morreale, J Harrison New directions in music and human-computer interaction, 179-212, 2019	30	2019
Bela: An embedded platform for low-latency feedback control of sound A McPherson The Journal of the Acoustical Society of America 141 (5), 3618-3618, 2017	28	2017

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