| Digital musical interactions: Performer–system relationships and their perception by spectators M Gurevich, AC Fyans Organised Sound 16 (2), 166-175, 2011 | 92 | 2011 |
| Examining the Spectator Experience. AC Fyans, M Gurevich, P Stapleton NIME 10, 1-4, 2010 | 37 | 2010 |
| Designing digital musical interactions in experimental contexts A Marquez-Borbon, M Gurevich, AC Fyans, P Stapleton contexts 16 (20), 21, 2011 | 27 | 2011 |
| Perceptions of Skill in Performances with Acoustic and Electronic Instruments. AC Fyans, M Gurevich NIME 11, 495-498, 2011 | 25 | 2011 |
| Where Did It All Go Wrong? A Model of Error From the Spectator's Perspective. AC Fyans, M Gurevich, P Stapleton NIME, 171-172, 2009 | 20 | 2009 |
| Spectator understanding of error in performance AC Fyans, M Gurevich, P Stapleton CHI'09 Extended Abstracts on Human Factors in Computing Systems, 3955-3960, 2009 | 17 | 2009 |
| Ecological considerations for participatory design of DMIs. AC Fyans, A Marquez-Borbon, P Stapleton, M Gurevich NIME, 2012 | 11 | 2012 |
| Creating games with feeling AC Fyans, G McAllister Proc. Int. Conf. on Computer Games: Artificial Intelligence and Mobile …, 2008 | 6 | 2008 |
| Spectator understanding of performative interaction: the influence of mental models and communities of practice on the perception and judgement of skill and error in electronic … AC Fyans Queen's University Belfast, 2016 | | 2016 |
| Games Design & Aesthetic approaches AC Fyans, G McAllister, J Gilligan, B Mac Namee, P Smith, R Ossmann, ... Proceedings of CGAMES’2006, 93, 2006 | | 2006 |
