| Facial expression, size, and clutter: Inferences from movie structure to emotion judgments and back JE Cutting, KL Armstrong Attention, Perception, & Psychophysics 78, 891-901, 2016 | 48 | 2016 |
| Cryptic emotions and the emergence of a metatheory of mind in popular filmmaking JE Cutting, KL Armstrong Cognitive science 42 (4), 1317-1344, 2018 | 14 | 2018 |
| On the physical variables filmmakers use to engage viewers. KL Armstrong, JE Cutting Psychology of Aesthetics, Creativity, and the Arts, 2022 | 6 | 2022 |
| Large-scale narrative events in popular cinema JE Cutting, KL Armstrong Cognitive Research: Principles and Implications 4, 1-18, 2019 | 5 | 2019 |
| Events, movies, and aging. KL Armstrong, JE Cutting Elsevier Science 6 (2), 137, 2017 | 5 | 2017 |
| Considering the filmmaker: Intensified continuity, narrative structure, and the Distancing-Embracing model KL Armstrong, JE Cutting Behavioral and Brain Sciences 40, 17, 2017 | 5 | 2017 |
| Viewer comprehension and temporal shifts in Hollywood film KL Armstrong, JE Cutting Elephant & Castle, 2016 | 4 | 2016 |
| Teaching gradually: Practical pedagogy for graduate students, by graduate students KL Armstrong, LA Genova, JW Greenlee, DS Samuel Taylor & Francis, 2023 | 1 | 2023 |
| Facial expression, emotional tension, and film KL Armstrong Cornell University, 2020 | 1 | 2020 |
| Sentence Structure Variation K Armstrong | | 2018 |
| Teaching your Students how to Critically Read the Primary Literature LA Genova, KL Armstrong Teaching Gradually, 245-252, 0 | | |
| Journal of Applied Research in Memory and Cognition KL Armstrong, JE Cutting | | |
