| Audiodesign:[akustische Kommunikation; akustische Signale und Systeme; psychoakustische Grundlagen; Klangsynthese; Audioediting und Effektbearbeitung; Sounddesign; Bild-Ton … H Raffaseder Hanser, 2010 | 45 | 2010 |
| Audiodesign H Raffaseder Fachbuchverlag Leipzig im Carl Hanser Verlag, 2002 | 38 | 2002 |
| Jingle all the way? Basics of Audio Branding K Bronner Audio Branding, 76-89, 2008 | 35 | 2008 |
| A mobile music concept as support for achieving target heart rate in preventive and recreational endurance training J Rubisch, M Husinsky, J Doppler, H Raffaseder, B Horsak, B Ambichl, ... Proceedings of the 5th Audio Mostly Conference: A Conference on Interaction …, 2010 | 16 | 2010 |
| Klangmarken und markenklänge: die bedeutung der klangfarbe im audio-branding H Raffaseder Audio-Branding, 103-119, 2007 | 14 | 2007 |
| Audio brands and brand sounds: relevance of timbre in audio branding H Raffaseder Audio Branding, 96-109, 2008 | 9 | 2008 |
| Klang. Reise: new scientific approaches through an artistic soundscape installation? A Drechsler, H Raffaseder, B Rubisch Proceedings of the 7th Audio Mostly Conference: A Conference on Interaction …, 2012 | 7 | 2012 |
| RaPScoM: towards composition strategies in a rapid score music prototyping framework J Doppler, J Rubisch, M Jaksche, H Raffaseder Proceedings of the 6th Audio Mostly Conference: A Conference on Interaction …, 2011 | 7 | 2011 |
| RaPScoM-a framework for rapid prototyping of semantically enhanced score music J Rubisch, J Doppler, H Raffaseder Proceedings of Sound and Music Conference, 2011 | 6 | 2011 |
| Klangmarken und Markenklänge: die Bedeutung der Klangfarbe im Audio-Branding H Raffaseder Audio-Branding, 98-115, 2016 | 2 | 2016 |
| Generative Music for Media Applications (GeMMA)–Towards Automated Design and Production of Media Related Music J Rubisch, M Jaksche, H Raffaseder Proceedings of the Audio Mostly Conference, Glasgow, UK, 2009 | 2 | 2009 |
| AllThatSounds: associative semantic categorization of audio data J Rubisch, M Husinsky, H Raffaseder International Symposium on Computer Music Modeling and Retrieval, 483-491, 2009 | 1 | 2009 |
| „Digitale Audiobearbeitung “ H Raffaseder Taschenbuch Medieninformatik, Fachbuchverlag Leipzig im Carl Hanser Verlag, 2005 | 1 | 2005 |
| turning points H Raffaseder (E Lamb, J Maly, M Rummel, S Stroissnig) Paladino pmr 0067 H Oberrauter OSTERREICHISCHE MUSIKZEITSCHRIFT 72 (4), 94-94, 2017 | | 2017 |
| Towards a Platform for Collaborative Innovation: A roadmap for a small University of Applied Sciences H Raffaseder, G Permoser Practitioners Proceedings 2016 University-Industry Interaction Conference, 93, 2016 | | 2016 |
| Accessibility considerations in designing a layperson's application for score music description J Rubisch, J Doppler, S Schuster, H Raffaseder Proceedings of the 7th Audio Mostly Conference: A Conference on Interaction …, 2012 | | 2012 |
| SEMANTIC MOVIE SCENE ANNOTATION FOR RAPID PROTOTYPING OF SCORE MUSIC J Rubisch, J Doppler, S Schuster, H Raffaseder ICMC, 2012 | | 2012 |
| Institutionen elektronischer Musik–in St. Pölten H Raffaseder Österreichische Musikzeitschrift 64 (10), 29-30, 2009 | | 2009 |
| Interrellation: Sound-Transformation and Remixing in Real-Time H Raffaseder, M Parker Transdisciplinary Digital Art. Sound, Vision and the New Screen: Digital Art …, 2008 | | 2008 |
| staTdT_kunst-an intermedia performance M Corvinus-Straße Audio Mostly 2007, 45, 2007 | | 2007 |
