| Zur klassifizierung der Anthropochoren FG Schroeder Vegetatio 16, 225-238, 1968 | 411 | 1968 |
| Categorizations of physical gesture in piano teaching: A preliminary enquiry L Simones, F Schroeder, M Rodger Psychology of Music 43 (1), 103-121, 2015 | 58 | 2015 |
| Communicating musical knowledge through gesture: Piano teachers’ gestural behaviours across different levels of student proficiency LL Simones, M Rodger, F Schroeder Psychology of Music 43 (5), 723-735, 2015 | 45 | 2015 |
| Addressing the network: Performative strategies for playing apart F Schroeder, P Rebelo | 36 | 2008 |
| Bespoke Design for Inclusive Music: The Challenges of Evaluation. AM Lucas, M Ortiz, F Schroeder NIME, 105-109, 2019 | 28 | 2019 |
| Seeing how it sounds: observation, imitation, and improved learning in piano playing L Simones, M Rodger, F Schroeder Cognition and Instruction 35 (2), 125-140, 2017 | 25 | 2017 |
| Freely available virtual reality experiences as tools to support mental health therapy: A systematic scoping review and consensus based interdisciplinary analysis P Best, M Meireles, F Schroeder, L Montgomery, A Maddock, G Davidson, ... Journal of Technology in Behavioral Science 7 (1), 100-114, 2022 | 22 | 2022 |
| Bringing practice closer to research–seeking integrity, sincerity and authenticity F Schroeder International Journal of Education Through Art 11 (3), 343-354, 2015 | 22 | 2015 |
| Network [ed] listening—towards a de-centering of beings F Schroeder Contemporary Music Review 32 (2-3), 215-229, 2013 | 22 | 2013 |
| Dramaturgy as a model for geographically displaced collaborations: Views from within and views from without F Schroeder Contemporary Music Review 28 (4-5), 377-385, 2009 | 21 | 2009 |
| Sounding the network: the body as disturbant F Schroeder, P Rebelo Leonardo Electronic Almanac 16 (4-5), 1-10, 2009 | 21 | 2009 |
| Performance without Barriers: Improvising with Inclusive and Accessible Digital Musical Instruments K Samuels, F Schroeder Contemporary Music Review 38 (5), 476-489, 2019 | 20 | 2019 |
| The Pontydian Performance: the performative layer F Schroeder, P Rebelo Organised Sound 14 (2), 134-141, 2009 | 18 | 2009 |
| Soundweaving: Writings on Improvisation F Schroder, M Ó'hAodha Cambridge Scholars Publishing, 2014 | 15 | 2014 |
| The Longevity of Bespoke, Accessible Music Technology: A Case for Community. AM Lucas, M Ortiz, F Schroeder NIME, 243-248, 2020 | 14 | 2020 |
| Wearable music in engaging technologies F Schroeder, P Rebelo Ai & Society 22, 85-91, 2007 | 14 | 2007 |
| Cross-pollinating ecological perspectives in admi design and evaluation A Lucas, J Harrison, F Schroeder, M Ortiz NIME 2021, 2021 | 12 | 2021 |
| Bodily instruments and instrumental bodies: Critical views on the relation of body and instrument in technologically informed performance environments F Schroeder Routledge 25 (1-2), 1-5, 2006 | 12 | 2006 |
| Network dramaturgy: Being on the node P Rebelo, F Schroeder, A Renaud ICMC, 2008 | 10 | 2008 |
| The voice as transcursive inscriber: The relation of body and instrument understood through the workings of a machine F Schroeder Contemporary Music Review 25 (1-2), 131-138, 2006 | 10 | 2006 |
Pedro RebeloQueen's University BelfastVerified email at qub.ac.uk
