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Chris Nash
Chris Nash
Senior Lecturer in Music Technology, UWE Bristol
Verified email at uwe.ac.uk - Homepage
Title
Cited by
Cited by
Year
Liveness and flow in notation use
C Nash, A Blackwell
New Interfaces for Musical Expression (NIME) 2012, 2012
312012
Tracking virtuosity and flow in computer music
C Nash, A Blackwell
International Computer Music Conference (ICMC) 2011, 2011
282011
A user experience review of music interaction evaluations
D Brown, C Nash, T Mitchell
242017
Supporting virtuosity and flow in computer music
C Nash
University of Cambridge, 2012
232012
The Cognitive Dimensions of Music Notations
C Nash
Technologies for Notation and Representation (TENOR) 2015 1, 2015
212015
Liveness in Notation Use: From Music to Programming.
L Church, C Nash, AF Blackwell
PPIG, 2, 2010
212010
Manhattan: End-User Programming for Music
C Nash
New Interfaces for Musical Expression (NIME) 2014, 2014
182014
Leimu: Gloveless music interaction using a wrist mounted leap motion
D Brown, N Renney, A Stark, C Nash, T Mitchell
132016
Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians
D Brown, C Nash, T Mitchell
Digital Creativity 29 (2-3), 129-148, 2018
112018
Is There a Data Model in Music Notation?
R Fournier-S’niehotta, P Rigaux, N Travers, R Hoadley, C Nash, D Fober
Intl. Conf. on Technologies for Music Notation and Representation (TENOR’16 …, 2016
102016
Flow of Creative Interaction with Digital Music Notations
C Nash, AF Blackwell
The Oxford Handbook of Interactive Audio, 387-404, 2014
82014
The ‘E’in QWERTY: Musical expression with old computer interfaces
C Nash
62016
Understanding user-defined mapping design in mid-air musical performance
D Brown, C Nash, T Mitchell
Proceedings of the 5th International Conference on Movement and Computing, 1-8, 2018
52018
Thoughts on interactive generative music composition
S Hunt, C Nash, T Mitchell
2nd Conference on Computer Simulation of Musical Creativity, Milton Keynes, UK, 2017
52017
How can music visualisation techniques reveal different perspectives on musical structure
S Hunt, T Mitchell, C Nash
International Conference on Technologies for Music Notation and Representation, 2017
52017
Realtime Representation and Gestural Control of Musical Polytempi.
C Nash, AF Blackwell
NIME, 28-33, 2008
52008
A cognitive dimensions approach for the design of an interactive generative score editor
S Hunt, T Mitchell, C Nash
Fourth International Conference on Technologies for Music Notation and …, 2018
42018
Was that me? exploring the effects of error in gestural digital musical instruments
D Brown, C Nash, TJ Mitchell
Proceedings of the 15th International Conference on Audio Mostly, 168-174, 2020
32020
An Iterative Design ‘by proxy’Method for Developing Educational Music Interfaces
C Ford, C Nash
Birmingham City University, 2020
32020
Track by track: Generative music installation for BBC Music Day
C Nash
22018
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