| Sonification Abstraite/Sonification Concr\ete: An'Aesthetic Perspective Space'for Classifying Auditory Displays in the Ars Musica Domain P Vickers, B Hogg arXiv preprint arXiv:1311.5426, 2013 | 103 | 2013 |
| Enactive consciousness, intertextuality, and musical free improvisation: Deconstructing mythologies and finding connections B Hogg Music and consciousness: Philosophical, psychological, and cultural …, 2011 | 45 | 2011 |
| Sonification abstraite/sonification concrete: An'aesthetic persepctive space'for classifying auditory displays in the ars musica domain B Hogg, P Vickers Georgia Institute of Technology, 2006 | 42 | 2006 |
| Aesthetics of sonification: Taking the subject-position P Vickers, B Hogg, D Worrall Body, sound and space in music and beyond: multimodal explorations, 89-109, 2017 | 32 | 2017 |
| The Violin, the River, and Me: Artistic Research and Environmental Epistemology in Balancing String and Devil's Water 1, Two Recent Environmental Sound Projects B Hogg Hz, 2013 | 18 | 2013 |
| When violins were trees: Resistance, memory, and performance in the preparatory experiments for landscape quartet, a contemporary environmental sound art project B Hogg Contemporary Music Review 32 (2-3), 249-273, 2013 | 15 | 2013 |
| Perspectives from practice B Hogg, M Sansom Contemporary Music Review 34 (4), 259-261, 2015 | 13 | 2015 |
| Musical meshworks: from networked performance to cultures of exchange B Freeth, J Bowers, B Hogg Proceedings of the 2014 conference on Designing interactive systems, 219-228, 2014 | 11 | 2014 |
| Resistant materials in musical creativity B Hogg, SJ Norman Contemporary Music Review 32 (2-3), 115-118, 2013 | 11 | 2013 |
| Music Technology, or Technologies of Music B Hogg The Cultural Study of Music: A Critical Introduction, 217-226, 2012 | 11 | 2012 |
| Body, Sound and Space in Music and Beyond: Multimodal Explorations P Vickers, B Hogg, D Worrall, C Wöllner London and New York: Routledge Taylor Francis Group, 89-109, 2017 | 10 | 2017 |
| Who's Listening? B Hogg Music Power and Politics, 2005 | 10 | 2005 |
| Healing the cut: Music, landscape, nature, culture B Hogg Contemporary Music Review 34 (4), 281-302, 2015 | 9 | 2015 |
| Weathering: perspectives on the Northumbrian landscape through sound art and musical improvisation B Hogg Landscape research 43 (2), 237-247, 2018 | 6 | 2018 |
| ‘Patterns of Ecological and Aesthetic Co-evolution’: Tree-guitars, River-violins and the Ecology of Listening B Hogg, S Östersjö Contemporary Music Review 34 (4), 335-349, 2015 | 5 | 2015 |
| Embodied consciousness as a site of cultural mediation in thinking about musical free improvisation B Hogg Consciousness, Theatre, Literature, and the Arts, 2010 | 3 | 2010 |
| Songs of place and time: birdsong and the dawn chorus in natural history and the arts M Collier, B Hogg, J Strachan Gaia Project Press, 2021 | 2 | 2021 |
| Geographies of Silence B Hogg The Routledge Companion to Sound Studies, 2019 | 2 | 2019 |
| Listener-centred Sonification Practice as Transdisciplinary Experimental Artistic Engagement J Boehringer, M Pietruszewski, J Bowers, B Hogg, J Newbold, G Sharma, ... Publicacions Universitat de València, 2022 | | 2022 |
| Sonification of Solar Corona Data P Antolin, J Boehringer, M Pietruszewski, J Bowers, B Hogg, J Newbold, ... | | 2021 |
Prof. Paul VickersProfessor of Computer Science & Sonification, Northumbria UniversityVerified email at northumbria.ac.uk
