| Echo Chambers and Epistemic Bubbles CT Nguyen Episteme, 2018 | 856 | 2018 |
| Games: Agency as art CT Nguyen Oxford University Press, USA, 2020 | 270 | 2020 |
| Games and the art of agency CT Nguyen Philosophical Review 128 (4), 2019 | 93 | 2019 |
| How Twitter gamifies communication CT Nguyen Applied epistemology 45 (11), 410-436, 2021 | 91 | 2021 |
| Autonomy and aesthetic engagement CT Nguyen Mind, 2019 | 80 | 2019 |
| Cognitive islands and runaway echo chambers: Problems for epistemic dependence on experts CT Nguyen Synthese 197 (7), 2803-2821, 2020 | 78 | 2020 |
| Cultural Appropriation and the Intimacy of Groups CT Nguyen, M Strohl Philosophical Studies, 2019 | 71 | 2019 |
| Trust as an unquestioning attitude CT Nguyen | 64 | 2022 |
| Escape the echo chamber CT Nguyen Aeon Magazine, 2018 | 62 | 2018 |
| Philosophy of games CT Nguyen Philosophy Compass 12 (8), e12426, 2017 | 60 | 2017 |
| Competition as cooperation CT Nguyen Journal of the Philosophy of Sport 44 (1), 123-137, 2017 | 51 | 2017 |
| The seductions of clarity CT Nguyen Royal Institute of Philosophy Supplements 89, 227-255, 2021 | 50 | 2021 |
| The uses of aesthetic testimony CT Nguyen The British Journal of Aesthetics 57 (1), 19-36, 2017 | 41 | 2017 |
| Moral outrage porn CT Nguyen, B Williams J. Ethics & Soc. Phil. 18, 147, 2020 | 35 | 2020 |
| Transparency is surveillance CT Nguyen Philosophy and Phenomenological Research 105 (2), 331-361, 2022 | 32 | 2022 |
| Good Violence, Bad Violence: The Ethics of Competition in Multiplayer Games. CT Nguyen, JP Zagal DiGRA/FDG, 2016 | 27 | 2016 |
| Monuments as commitments: How art speaks to groups and how groups think in art CT Nguyen Pacific Philosophical Quarterly 100 (4), 971-994, 2019 | 24 | 2019 |
| The arts of action CT Nguyen Philosophers’ Imprint 20 (14), 2020 | 23 | 2020 |
| Trust and sincerity in art CT Nguyen | 22 | 2021 |
| Expertise and the fragmentation of intellectual autonomy CT Nguyen Philosophical Inquiries 6 (2), 107-124, 2018 | 19 | 2018 |
