Bitrate Requirements for Opus with First, Second and Third Order Ambisonics reproduced in 5.1 and 7.1. 4 E Souza-Blanes, C Tejeda-Ocampo, C Wang, S Bharitkar Audio Engineering Society Convention 152, 2022 | 4 | 2022 |
Perceptually Motivated Bitrate Allocation for Object-Based Audio Using Opus Codec T Hirvonen, C Tejeda-Ocampo, E Souza-Blanes, S Bharitkar Audio Engineering Society Convention 155, 2023 | 2 | 2023 |
Perceptually Motivated Bitrate Allocation for Object-Based Audio Using Opus Codec T Hirvonen, C Tejeda-Ocampo, E Souza-Blanes, S Bharitkar Audio Engineering, 0 | 2* | |
Advances in Perceptual Bass Extension for Music and Cinematic Content SG Bharitkar, E Souza Blanes, G Kubota, A Rawat Audio Engineering Society Convention 154, 2023 | 1 | 2023 |
A Closer Look on Bitrate Requirements for Opus with First Order Ambisonics and AllRAD rendering to 5.1 and 7.1. 4 ES Blanes, C Tejeda-Ocampo, S Bharitkar Audio Engineering Society Convention 153, 2022 | 1 | 2022 |
Excitation Stimuli For Simultaneous Deconvolution of Room Responses S Bharitkar, E Souza Blanes, P Brunet Audio Engineering Society Convention 155, 2023 | | 2023 |
Deep Learning Based Voice Extraction and Primary-Ambience Decomposition for Stereo to Surround Upmixing RT Paez Amaro, C Tejeda Ocampo, E Souza Blanes, S Bharitkar, ... Audio Engineering Society Convention 154, 2023 | | 2023 |
Excitation Stimuli For Simultaneous Deconvolution of Room Responses S Bharitkar, E Souza Blanes, P Brunet Audio Engineering, 0 | | |