| Factors influencing listener preference for dynamic range compression M Ronan, R Sazdov, N Ward Audio Engineering Society Convention 137, 2014 | 11 | 2014 |
| Loudness normalisation: paradigm shift or placebo for the use of hyper-compression in pop music? M Ronan, R Sazdov, N Ward ICMC, 2014 | 9 | 2014 |
| The perception of hyper-compression by untrained listeners M Ronan, N Ward, R Sazdov Audio Engineering Society Conference: 60th International Conference: DREAMS …, 2016 | 8 | 2016 |
| Identifying and validating program material: a hyper-compression perspective M Ronan, N Ward, R Sazdov Audio Engineering Society Convention 139, 2015 | 7 | 2015 |
| The Perception of Hyper-Compression by Mastering Engineers M Ronan, N Ward, R Sazdov, H Lee Journal of the Audio Engineering Society 65 (7/8), 613-621, 2017 | 5 | 2017 |
| Factors contributing to gender imbalance in the audio industry SAMC Buckingham, M Ronan Audio Engineering Society Convention 146, 2019 | 4 | 2019 |
| Immersive Production Techniques in Cinematic Sound Design: Context and Spatialization T Downes, M Ronan Audio Engineering Society Convention 140, 2016 | 4 | 2016 |
| Exploring the sound quality dimensions of hyper-compression M Ronan, N Ward, R Sazdov Innovation in Music II, 36-51, 2016 | 4 | 2016 |
| Investigating the sound quality lexicon of analogue compression using category analysis M Ronan, N Ward, R Sazdov Audio Engineering Society Convention 138, 2015 | 4 | 2015 |
| Configuring SpADE: practical considerations influencing the design of a three-dimensional multi-channel listening environment M Ronan, D Piggott, R Sazdov Irish Sound, Science and Technology Convocation, 1-2, 2012 | 4 | 2012 |
| Considerations when calibrating program material stimuli using LUFS M Ronan, N Ward, R Sazdov Audio Engineering Society Convention 140, 2016 | 3 | 2016 |
| The pandemic pilot: Are music technology degrees ready for online learning? E Farnhill, M Ronan Audio Engineering Society Convention 150, 2021 | 2 | 2021 |
| Graduate attributes in music technology: Embedding design thinking in a studio design course M Ronan, D O'Shea Audio Engineering Society Convention 144, 2018 | 2 | 2018 |
| The DFA Fader: Exploring the Power of Suggestion in Loudness Judgments J Haigh, M Ronan Audio Engineering Society Convention 142, 2017 | 2 | 2017 |
| Do Microphone Angles Result in Audible Differences When Recording a Guitar Amplifier? E Culloo, M Ronan Audio Engineering Society Convention 142, 2017 | 2 | 2017 |
| Defining reverberation plugin structure: A comparative exploration of system design and expert knowledge in an audio education context K Garland, M Ronan Audio Engineering Society Convention 151, 2021 | 1 | 2021 |
| Assessing the Impact of Interactivity in the Cognitive Domain: A Noise Ratings Case Study F Neff, P Duffy, M Ronan OkIP Books, 2023 | | 2023 |
| Embedding Observation in Audio Education Software: A Preliminary Perspective K Garland, M Ronan, M Bassett Audio Engineering Society Conference: AES 2023 International Conference on …, 2023 | | 2023 |
| Investigating User Preference for Reverberation Plugins K Garland, M Ronan Audio Engineering Society Convention 148, 2020 | | 2020 |
| Can Visual Priming Affect the Perceived Sound Quality of a Voice Signal in Voice over Internet Protocol (VoIP) Applications? J Haigh, C Exton, M Ronan Audio Engineering Society Convention 144, 2018 | | 2018 |
