| NEXUS: Collaborative Performance for the Masses, Handling Instrument Interface Distribution through the Web J Allison, Y Oh, B Taylor | 40 | 2013 |
| Simplified Expressive Mobile Development with NexusUI, NexusUp and NexusDrop B Taylor, J Allison, W Conlin, Y Oh, D Holmes New Interfaces for Musical Expression, 2014 | 39 | 2014 |
| A history of the audience as a speaker array B Taylor Proceedings of the International Conference on New Interfaces for Musical …, 2017 | 35 | 2017 |
| Educational design of live coding environments for the browser C Roberts, J Allison, D Holmes, B Taylor, M Wright, JA Kuchera-Morin Journal of Music, Technology & Education 9 (1), 95-116, 2016 | 16 | 2016 |
| BRAID: A web audio instrument builder with embedded code blocks B Taylor, J Allison Proceedings of the 1st international Web Audio Conference, 2015 | 12 | 2015 |
| Programming music camp: Using web audio to teach creative coding J Allison, D Holmes, Z Berkowitz, A Pfalz, W Conlin, N Hwang, B Taylor WEB AUDIO CONFERENCE 2, 2016 | 11 | 2016 |
| Gesture Capture, Processing, and Asynchronous Playback within Web Audio Instruments B Taylor, J Allison Proceedings of the International Conference on Computer Music, 2015 | 3 | 2015 |
| Interactive music on the web SW Lee, B Taylor, G Essl Foundations in Sound Design for Interactive Media, 200-228, 2019 | 2 | 2019 |
| The Last Cloud B Taylor Composition, 2016 | 2 | 2016 |
| Gendy. js: A Web Audio Module for Dynamic Stochastic Synthesis A Bernstein, B Taylor Proceedings of the Web Audio Conference, 2016 | 2 | 2016 |
| Mcluhan. js: Live net art performance with remote web browsers BF Taylor Louisiana State University and Agricultural & Mechanical College, 2016 | 1 | 2016 |
| Tune. js: A microtonal web audio library B Taylor, A Bernstein intervals 261, 294.32876096318, 2016 | 1 | 2016 |
| reNotate: The Crowdsourcing and Gamification of Symbolic Music Encoding B Taylor, J Allison, D Shanahan, M Wolf, DJ Baker Georgia Institute of Technology, 2016 | | 2016 |
| Pearl River B Taylor 1st Annual Web Audio Conference, 2015 | | 2015 |
| The Acoustic Ensemble as Spectral Synthesizer: Gerard Grisey's Jour, Contre-jour B Taylor | | 2013 |
| Plum St: Live Digital Storytelling with Remote Browsers B Taylor, J Allison New Interfaces for Musical Expression, 2013 | | 2013 |
| Ben Johnston's Pitch Choice in Suite for Microtonal Piano B Taylor | | 2012 |
| flexible points/unified transformations B Taylor | | 2009 |
Jesse AllisonLouisiana State UniversityVerified email at lsu.edu
