Benjamin W. Bohl
Benjamin W. Bohl
Johann Wolfgang Goethe-Universität Frankfurt, Bernd Alois Zimmermann-Gesamtausgabe
Verified email at edirom.de - Homepage
Title
Cited by
Cited by
Year
Freischütz Digital: Demos of Audiorelated Contributions
T Prätzlich, M Müller, BW Bohl, J Veit
Demos and Late Breaking News of the International Society for Music …, 2015
72015
Freischutz digital: A multimodal scenario for informed music processing
M Müller, T Prätzlich, B Bohl, J Veit
2013 14th International Workshop on Image Analysis for Multimedia …, 2013
72013
Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts
B Bohl, J Kepper, D Röwenstrunk
Die Tonkunst 5, 270-276, 2011
62011
Interactive Scores in Classical Music Production.
S Waloschek, A Berndt, BW Bohl, A Hadjakos
ISMIR, 668-673, 2016
32016
Supporting the emerging community of MEI: the current landscape of tools for note entry and digital editing
BW Bohl, D Röwenstrunk, R Viglianti
Digital Humanities 2012, 2012
32012
Accelerating the Editing Phase in Music Productions using Interactive Scores
S Waloschek, A Berndt, BW Bohl, A Hadjakos
Proc. of the 2nd AES Workshop on Intelligent Music Production. Queen Mary …, 2016
12016
Der Gang durch die Domänen
BW Bohl, T Prätzlich, M Müller, J Veit
Jahrestagung der Digital Humanities im deutschsprachigen Raum:” Von Daten zu …, 2015
12015
Music Performance Markup: Formale Beschreibung musikalischer Interpretationen
A Berndt, BW Bohl
Editio 32 (1), 185-204, 2018
2018
Dem Igel Sitte lehren…
BW Bohl, A Berndt, S Waloschek, A Hadjakos
2016
A stand-off critical apparatus for the libretto of Der Freischütz
R Viglianti, S Schreiter, B Bohl
The Linked TEI: Text Encoding in the Web. TEI Conference and Members Meeting …, 2013
2013
XML Music Performance Description: Reflections on and Future Developments of the Music Performance Markup Format
A Berndt, BW Bohl
Music Encoding Conference 2016, 0
Formate als Sackgassen: Handlungsempfehlungen
BW Bohl, A Berndt, B Senft
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Articles 1–12