Fabio Morreale

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Andrew McPhersonChair in Design Engineering and Music, Imperial College LondonVerified email at imperial.ac.uk
Antonella De AngeliUniversity of Bolzano ItalyVerified email at unibz.it
Raul MasuComputational Media and Arts, Hong Kong University of Science and Technology (GZ)Verified email at hkust-gz.edu.cn
Jacob HarrisonQueen Mary University of LondonVerified email at qmul.ac.uk
Jack ArmitageIntelligent Instruments Lab, Iceland University of the ArtsVerified email at lhi.is
S. M. Astrid BinBela.ioVerified email at bela.io
Robert H JackBelaVerified email at qmul.ac.uk
Marcelo M. WanderleyProfessor, Music Technology - McGill UniversityVerified email at mcgill.ca
Sile O'ModhrainUniversity of MichiganVerified email at umich.edu
Alan ChamberlainSenior Fellow - University of Nottingham, Computer ScienceVerified email at nottingham.ac.uk
steve benfordThe University of NottinghamVerified email at cs.nott.ac.uk
Nuno N. CorreiaTallinn University, ITI/LARSySVerified email at tlu.ee
Nicu SebeUniversity of TrentoVerified email at unitn.it
Paul StapletonProfessor of Music, Sonic Arts Research Centre, Queen's University BelfastVerified email at qub.ac.uk
Roberto BresinProfessor of Media Technology, KTH Royal Institute of technologyVerified email at kth.se
Prof. Nick Bryan-KinnsUniversity of the Arts London Creative Computing InstituteVerified email at acm.org
Maria ErikssonPh.D. Assistant / Postdoc, Department of Art, Media and Philosophy. University of Basel.Verified email at unibas.ch
Federico FontanaAssociate Professor, University of Udine - ItalyVerified email at uniud.it
Mela BettegaUniversidade Nova de LisboaVerified email at m-iti.org
Assunta matassaPhD in Computer Science - Università degli studi di Torino - Enel ItaliaVerified email at enel.com

Fabio Morreale

Senior Lecturer, University of Auckland

Verified email at auckland.ac.nz - Homepage

Human-Computer Interaction Music-AI Technology Ethics NIME


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
Design for Longevity: Ongoing Use of Instruments from NIME 2010-14 F Morreale, A McPherson New Interfaces for Musical Expression, 2017	82	2017
Building a maker community around an open hardware platform F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017	63	2017
Musical Interface Design: An Experience-oriented Framework F Morreale, A De Angeli, S O’Modhrain New Interfaces for Musical Expression, 2014	55	2014
NIME Identity from the Performer’s Perspective F Morreale, AP McPherson, MM Wanderley New Interfaces for Musical Expression, 2018	43	2018
Musical instruments for novices: Comparing NIME, HCI and crowdfunding approaches A McPherson, F Morreale, J Harrison New directions in music and human-computer interaction, 179-212, 2019	40	2019
Collaborative creativity: The music room F Morreale, A De Angeli, R Masu, P Rota, N Conci Personal and Ubiquitous Computing 18, 1187-1199, 2014	39	2014
A quality adaptive multimodal affect recognition system for user-centric multimedia indexing R Gupta, M Khomami Abadi, JA Cárdenes Cabré, F Morreale, TH Falk, ... Proceedings of the 2016 ACM on international conference on multimedia …, 2016	31	2016
A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community F Morreale, SMA Bin, AP McPherson, P Stapleton, MM Wanderley New Interfaces for Musical Expression, 2020	28	2020
Robin: an algorithmic composer for interactive scenarios F Morreale, R Masu, A De Angeli Proceedings of SMC 2013, 10th, 2013	27	2013
The effect of expertise in evaluating emotions in music F Morreale, R Masu, A De Angeli, P Fava The 3rd International Conference on Music & Emotion, Jyväskylä, Finland …, 2013	27	2013
Democratising DMIs: the relationship of expertise and control intimacy RH Jack, J Harrison, F Morreale, A McPherson New Interfaces for Musical Expression, 2018	26	2018
Where does the buck stop? Ethical and political issues with AI in music creation F Morreale	22	2021
Evaluating visitor experiences with interactive art F Morreale, A De Angeli Proceedings of the 11th Biannual Conference on Italian SIGCHI Chapter, 50-57, 2015	22	2015
Magpick: an augmented guitar pick for nuanced control F Morreale, A Guidi, A McPherson New Interfaces for Musical Expression, 2019	17	2019
Sound forest/ljudskogen: A large-scale string-based interactive musical instrument R Bresin, L Elblaus, E Frid, F Favero, L Annersten, D Berner, F Morreale Sound and Music Computing 2016, 79-84, 2016	17	2016
When is a guitar not a guitar? cultural form, input modality and expertise J Harrison, R Jack, F Morreale, A McPherson New Interfaces for Musical Expression, 2018	16	2018
In-the-moment and beyond: Combining post-hoc and real-time data for the study of audience perception of electronic music performance SM Astrid Bin, F Morreale, N Bryan-Kinns, AP McPherson Human-Computer Interaction-INTERACT 2017: 16th IFIP TC 13 International …, 2017	16	2017
"My Library Has Just Been Obliterated": Producing New Norms of Use Via Software Update F Morreale, M Eriksson Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems …, 2020	15	2020
Collaborating with an autonomous agent to generate affective music F Morreale, A De Angeli Computers in Entertainment (CIE) 14 (3), 1-21, 2016	15	2016
Auditory recognition of floor surfaces by temporal and spectral cues of walking F Fontana, F Morreale, T Regia-Corte, A Lécuyer, M Marchal International Conference on Auditory Display, 2011	14	2011

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