| ‘Tangible pasts’: user-centred design of a mixed reality application for cultural heritage A Chrysanthi, C Papadopoulos, T Frankland, G Earl Archaeology in the Digital Era 31, 2012 | 15 | 2012 |
| A CG artist's impression: depicting virtual reconstructions using non-photorealistic rendering techniques TJ Frankland Archaeopress, 2010 | 12 | 2010 |
| Authority and authenticity in future archaeological visualisation T Frankland, G Earl Making visible the invisible: art, design and science in data visualisation …, 2012 | 9 | 2012 |
| The Xeros data model: tracking interpretations of archaeological finds MO Jewell, E Costanza, T Frankland, G Earl, L Moreau Provenance and Annotation of Data and Processes: 4th International …, 2012 | 3 | 2012 |
| Exploring novel technologies for archaeological fieldwork T Frankland University of Southampton, 2015 | | 2015 |
| 15 more years of computer applications in archaeology T Frankland CAA 2012, 2011 | | 2011 |
| Using technology to explore issues of communication and disruption in archaeological fieldwork T Frankland CAA 2012, 2011 | | 2011 |
| Evaluating'Tangible Pasts': A Mixed Reality Application for Cultural Heritage. A Chrysanthi, C Papadopoulos, T Frankland EVA, 2011 | | 2011 |
| PATINA: Personal architectonics of INteractions with artefacts G Earl, A Boddington, A Chrysanthi, M Dade-Robertson, R Davies, ... Pallas Publications, 2010 | | 2010 |
| SIMULATING THE PAST J Huggett, CF Motz, SC Carrier, A Chrysanthi, C Papadopoulos, ... | | |
