| ‘In Drag’: Performativity and Authenticity in Zadie Smith’s NW B Pérez Zapata International Studies. Interdisciplinary Political and Cultural Journal 16 …, 2014 | 26 | 2014 |
| Decolonizing Trauma: A Study of Multidirectional Memory in Zadie Smith’s “The Embassy of Cambodia” B Pérez Zapata Humanities 4 (4), 523-534, 2015 | 21 | 2015 |
| First-Person Refugee Games: Ludonarrative Strategies for Playing the Stories of Refugees and Asylum Seekers V Navarro-Remesal, B Pérez Zapata International Conference on Videogame Sciences and Arts, 3-17, 2019 | 13 | 2019 |
| Zadie Smith and Postcolonial Trauma: Decolonising Trauma, Decolonising Selves BP Zapata Routledge, 2021 | 8 | 2021 |
| I am the sole author BP Zapata Atlantis 42 (2), 180-196, 2020 | 4 | 2020 |
| Exploring death and grief: Zen in Zadie Smith's the autograph man B Pérez Zapata Brno studies in English 46 (2), 281-296, 2020 | 2 | 2020 |
| Who Made Your Phone? Compassion and the Voice of the Oppressed in Phone Story and Burn the Boards V Navarro-Remesal, B Pérez Zapata Open Library of Humanities 4 (1), 2018 | 2 | 2018 |
| An Endless Game: Neocolonial Injustice in Zadie Smith's The Embassy of Cambodia B Pérez Zapata Postcolonial Justice, 201-216, 2017 | 2 | 2017 |
| Artificial Intimacy: Gynoid and Artificial Intelligence in Japanese Character Intimacy Game Software L Bruno, M Mikeš, Z Záhora, Y Miyake, F Toriumi, V Navarro-Remesal, ... REPLAYING JAPAN 4, 35-45, 2022 | 1 | 2022 |
| Transience and Waiting in Mohsin Hamid’s Exit West B Perez Zapata The European Legacy 26 (7-8), 764-774, 2021 | 1 | 2021 |
| Dancing across Nations: The Transnational and the Glocal in Zadie Smith’s Swing Time BP Zapata Women on the Move, 63-77, 2018 | 1 | 2018 |
| An Endless Game: Neocolonial Injustice in Zadie Smith’s The Embassy of Cambodia BP Zapata Postcolonial Justice, 201-216, 2017 | 1 | 2017 |
| “Air Time!”: Balconing Simulator 2020 and criticism of junk tourism in Spain V Navarro-Remesal, BP Zapata, IB García, MT Torres | | 2023 |
| Recording One's Vulnerability: Refugees' Experiences in the Auto-Documentaries# MyEscape (2016), Chauka Please Tells Us the Time (2017), and Midnight Traveler (2019) BP Zapata, V Navarro-Remesal Embodied VulnerAbilities in Literature and Film, 183-197, 2023 | | 2023 |
| Los videojuegos y la fuente mítica del trauma: mitos en el presente y del presente en" Hellblade: Senua's Sacrifice" y" Distraint 2" VN Remesal, AJP de la Maza, MT Torres, BP Zapata El relato mítico: sus nuevas materialidades y dimensiones en las culturas …, 2023 | | 2023 |
| “Remain calm and elegant”: dark games, vulnerability, and the female body as a plaything in Most Beautiful Island BP Zapata, VN Remesal L'Atalante. Revista de estudios cinematográficos, 73-86, 2022 | | 2022 |
| «Permaneced tranquilas y elegantes»: juegos oscuros, vulnerabilidad y el cuerpo femenino como objeto de juego en Most Beautiful Island BP Zapata, VN Remesal L'Atalante. Revista de estudios cinematográficos, 73-86, 2022 | | 2022 |
| Book Review: The Cultural Trauma of Decolonization: Colonial Returnees in the National Imagination BP Zapata Cultural Sociology 15 (1), 165-166, 2021 | | 2021 |
| Videojuegos poscoloniales: Jugar contra los otros, jugar a ser otros. BP Zapata Pensar el Juego: 25 caminos para los game studies, 196-202, 2020 | | 2020 |
| Playing Brexit: Borders and nationalism in the times of inhospitality BP Zapata, V Navarro-Remesal future 1, 33, 2017 | | 2017 |
