Seuraa
Maximiliaan Martens
Maximiliaan Martens
Hoogleraar kunstgeschiedenis, Universiteit Gent
Vahvistettu sähköpostiosoite verkkotunnuksessa UGent.be
Nimike
Viittaukset
Viittaukset
Vuosi
Crack detection and inpainting for virtual restoration of paintings: The case of the Ghent Altarpiece
B Cornelis, T Ružić, E Gezels, A Dooms, A Pižurica, L Platiša, J Cornelis, ...
Signal Processing 93 (3), 605-619, 2013
1162013
Petrus Christus
MW Ainsworth, P Christus, MPJ Martens
Metropolitan museum of art, 1994
791994
The use of a multi-method approach to identify the pigments in the 12th century manuscript Liber Floridus
A Deneckere, M De Reu, MPJ Martens, K De Coene, B Vekemans, ...
Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy 80 (1 …, 2011
582011
Digital image processing of the Ghent Altarpiece: Supporting the painting's study and conservation treatment
A Pizurica, L Platisa, T Ruzic, B Cornelis, A Dooms, M Martens, H Dubois, ...
IEEE Signal Processing Magazine 32 (4), 112-122, 2015
452015
Virtual restoration of the Ghent Altarpiece using crack detection and inpainting
T Ružić, B Cornelis, L Platiša, A Pižurica, A Dooms, W Philips, M Martens, ...
Advanced Concepts for Intelligent Vision Systems: 13th International …, 2011
412011
Artistic patronage in Bruges institutions, ca. 1440-1482
M Martens
University of California, 1992
381992
Crack detection in paintings using convolutional neural networks
R Sizyakin, B Cornelis, L Meeus, H Dubois, M Martens, V Voronin
IEEE Access 8, 74535-74552, 2020
362020
Non-destructive in situ study of “Mad Meg” by Pieter Bruegel the Elder using mobile X-ray fluorescence, X-ray diffraction and Raman spectrometers
L Van de Voorde, J Van Pevenage, K De Langhe, R De Wolf, ...
Spectrochimica Acta Part B: Atomic Spectroscopy 97, 1-6, 2014
332014
Direct analysis of the central panel of the so‐called Wyts triptych after Jan van Eyck
A Deneckere, FP Hocquet, A Born, P Klein, S Rakkaa, S Lycke, ...
Journal of Raman Spectroscopy 41 (11), 1500-1509, 2010
232010
Bruges and the Renaissance
M Martens
De Memling à Pourbus. Notices, 1998
23*1998
Some Aspects of the Origins of the Art Market in 15th-century Bruges.”
MPJ Martens
Art Markets in Europe, 1400-1800, 29-41, 1998
231998
Lodewijk van Gruuthuse: mecenas en Europees diplomaat, ca. 1427-1492
M Martens
Stiching Kunstboek, 1992
221992
Antwerp painters: their market and networks.
M Martens
Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen 2004/2005, 47-74, 2006
212006
Paintings in Antwerp houses (1532-1567)
M Martens, N Peeters
Mapping markets for paintings in Europe, 1450-1750 6, 35-53, 2006
202006
New Information on Petrus Christus's Biography and the Patronage of His Brussels" Lamentation"
MPJ Martens
Simiolus: Netherlands Quarterly for the History of Art, 5-23, 1990
181990
A deep learning approach to crack detection in panel paintings
R Sizyakin, B Cornelis, L Meeus, M Martens, V Voronin, A Pizurica
Image Processing for Art Investigation (IP4AI), 40-42, 2018
162018
Spatiogram features to characterize pearls in paintings
L Platiša, B Cornells, T Ružić, A Pižurica, A Dooms, M Martens, M De Mey, ...
2011 18th IEEE International Conference on Image Processing, 801-804, 2011
162011
Artists by Numbers: Quantifying Artists' Trades in Sixteenth-century Antwerp
MPJ Martens, N Peeters
Brepols, 2006
152006
Patronage.
M Martens
Early Netherlandish paintings: rediscovery, reception and research, 344-377, 2005
152005
Bruges and the Renaissance: From Memling to Pourbus, Exh. cat. Bruges: St. Johns's Hospital 1998
MPJ Martens
Ludion, 1998
151998
Järjestelmä ei voi suorittaa toimenpidettä nyt. Yritä myöhemmin uudelleen.
Artikkelit 1–20