| Watching wildlife C Chris U of Minnesota Press, 2006 | 357 | 2006 |
| Cable visions: Television beyond broadcasting S Banet-Weiser, C Chris, A Freitas NYU Press, 2007 | 73 | 2007 |
| All documentary, all the time? Discovery Communications Inc. and trends in cable television C Chris Television & New Media 3 (1), 7-28, 2002 | 43 | 2002 |
| Media authorship C Chris, DA Gerstner Routledge, 2013 | 31 | 2013 |
| Can you repeat that? Patterns of media ownership and the “repurposing” trend C Chris The Communication Review 9 (1), 63-84, 2006 | 11 | 2006 |
| Anthony Freitas, eds. 2007 S Banet-Weiser, C Chris Cable Visions: Television Beyond Broadcasting, 0 | 8 | |
| 6. Discovery’s Wild Discovery: The Growth and Globalization of TV’s Animal Genres C Chris Cable Visions, 137-157, 2007 | 7 | 2007 |
| Beyond the mouse-ear gates: the wonderful world of Disney studies C Chris Afterimage 23 (3), 8-12, 1995 | 6 | 1995 |
| Queer methods M Brim, C Chris, A Ghaziani Feminist Press at the City University of New York, 2016 | 5 | 2016 |
| 7. Author C Chris Keywords for Media Studies, 21-23, 2017 | 3 | 2017 |
| Watching wildlife: On the nature genre in film and television, its history and meanings C Chris University of California, San Diego, 2002 | 3 | 2002 |
| The indecent screen: regulating television in the twenty-first century C Chris Rutgers University Press, 2018 | 2 | 2018 |
| Subjunctive Desires: Becoming Animal in Green Porno and Seduce Me C Chris | 2 | 2015 |
| Engage! DA Gerstner, C Chris Women's Studies Quarterly 41 (3/4), 14-27, 2013 | 2 | 2013 |
| Authorship and Auteurism C Chris The Craft of Criticism, 109-121, 2018 | | 2018 |
| WSQ: At Sea Editors' Note C Chris, M Brim | | 2017 |
| WSQ: Survival Editor's Note C Chris, M Brim | | 2016 |
| WSQ: Queer Methods Editor's Note C Chris | | 2016 |
| WSQ: Child Editor's Note C Chris, M Brim | | 2015 |
| Editorʼs Note M Brim, C Chris WSQ: Women's Studies Quarterly 42 (3-4), 9-13, 2014 | | 2014 |
Matt BrimCollege of Staten Island, CUNYVerified email at csi.cuny.edu
